调性音乐中“非结构因素”的延长与扩张——以所选的李斯特作品为例

The Extension and Expansion of the “Non Structural Factors” in the Tonal Music——Taking the Excerpted Liszt's Work as an Example

近年来,一些西方学者在申克的音乐分析理论基础上,将其用于分析传统调性音乐的理念与"延长"技术扩展至建立在不协和音响基础上的非功能调性音乐领域,提出了"不协和的延长"这一概念。受此启发,本文借鉴国内音乐学领域的研究成果,提出"非结构因素"的延长与扩张,并以所选的李斯特作品为例,对其音乐创作中各种"非结构因素"不断扩张的现象及相关技法进行分析与梳理,试图探究其过程中所折射出的某些音乐观念的发展与演变,最终使无调性成为历史发展中合乎逻辑的必然结果。

In recent years, some western scholars applied Schenker music analysis theory into traditional tonal music ideas, technology extension, and non-functional music field based on discordant sound and raised the concept of'discordant extension'. Built on domestic research results in musicology, this paper presents the extension and expansion of the'non structural factors'. Taking the excerpted Liszt's work as an example, the article analyzes and arranges the phenomenon of constant expansion and its relative skills in the music creation so as to explore the development and evolution of some musical ideas and confirm the necessary outcomes of atonality in music development