摘要
从空间角度入手,以《白鹿原》中对于空间的描写频次为基础,对《白鹿原》呈现出的以"礼法"和"圣"为核心的儒家文化空间,以"感性和生命力"为核心的原始文化空间以及以"革命和爱情"为核心的现代文化空间进行了探讨梳理,因为这三个空间隐喻了近代中国复杂的社会意识空间。《白鹿原》将生活在这三重空间中的个体命运展示给了读者,每个个体都在这矛盾对立和融合中昭示着自身的存在。
Analyzes three spaces in Bai Lu Yuan, which are the Confucianism culture space that is rite and low and saint; the primitive culture space that is sensibility and vitality; the modern culture space that is revo-lution and love. Considers that the three spaces constructed a metaphor for complicated social consciousness in China. Bai Lu Yuan revealed the individual destiny in the three spaces to the reader, each individual in this contradictory and fusion represents its own existence.
出处
《河南教育学院学报（哲学社会科学版）》
2016年第6期77-84,共8页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
儒家文化空间
原始文化空间
现代文化空间
Confucianism culture space
primitive culture space
modern culture space
