陌生化视角下的杜拉斯经典小说《情人》新探

A New Exploration of Duras's Novel The Lover in the View of Defamiliarization

英国学者布斯于1956年在《小说修辞学》中提出了"趣味与距离说",综合了什克洛夫斯基与布莱希特在文学作品"文学性"与"历史性"两方面的观点。他指出小说家只有在创作中有效进行叙述距离的控制,才能创造恰当的审美距离,带给读者理想的审美体验。杜拉斯小说作品《情人》中富有音乐性的诗语、破碎的非线性叙事、对生命历史的互文性书写、对异域东方与畸形世界的凸显,给予了文本欣赏者们强烈的视觉感受和情感冲击,在文本与阅读者之间构建了恰当的审美距离、心理距离、认知距离,延长了审美过程,产生了独特的吸引力。

British scholar Booth putforward the concept of ＂interest and distance＂in 1956 in the Rhetoric of Novels. He combined the ＂literariness＂of Shklovsky and Brecht＇s ＂historicity＂and pointed out that only by controlling effectively the narrative distance can novelist create the appropriate aesthetic distance and bring the ideal aesthetic experience to the reader. In Duras＇ s work The Lover,the rich poetic language,non- linear narrative mode,inter- textual writing of life history,the exotic oriental and abnormal world are highlighted,giving the text appreciators a strong visual experience and emotional impact. Duras creates the aesthetic distance,the psychological distance,and the cognitive distance between the text and the reader,which extends the aesthetic process and results in a unique attraction.