王安石诗李壁注引朱熹说小考

The Quotation of Zhu Xi in Li Bi＇s Annotation on the Poems of Wang Anshi

王安石诗李壁注初版于1214年,其后,补注本（约1220年）和增注本（1230年）先后刊行。通过稽考,可以发现,在补注和庚寅增注中,曾引用李道传池州刊本《朱子语录》（初版于1215年）以补充诗学阐释、历史背景、道学思想。从注、到补注、再到庚寅增注的修订和编纂过程中,李壁引用新刊书籍对原有的注释进行补充和修正,而这样的引用,与李壁注初刊本中引用《四书章句集注》有内在的逻辑一致性。本文也由此窥探李壁注“自出己意,借事以相发明”的诗学阐释方式,并分析其背后蕴含的宋代理学思想传播与印刷文化发展的意义。

This paper examines several specific commentaries on the poems of Wang Anshi in the early-thirteenth century and the implications of those commentaries. Li Bi 李壁（1159-1222） published the first edition of Annotation on the Poems of Wang Anshi in 1214. The two revised editions ,which contained Supplementary Annotation and Additional Annotation,were printed in 1220s and in 1230 after his death. During the process of revision, Li Bi quickly responded to some newly available materials, including the earliest edition of ZhuziYulu compiled by Li Daochuan in 1215 in Chizhou, in an eye of hunting, while the mechanical way Li Bi wove the Neo-Confucians＇ words into Wang Anshi＇s poems was in accordance with the first edition. By exploring Li Bi＇s commentaries, this paper argues that Li Bi employs a special way of poetic criticism and annotation which goes to away from the traditional Chinese annotator. This provides a glimpse of how individual brought the poems of diverged thought into line with the prevailing philosophical ideas, Finally, the paper moves to the increased book availability and print culture in Southern Song, which on one hand enabled Li Bi＇s access to Neo-Confucianism, and on the other hand resulted in his interwoven compilation.