摘要
新时期以来,国内马克思主义文论研究界围绕文艺意识形态观、艺术生产论、实践美学观等多个经典命题展开持续论争,在论争中,相关学者从各自角度回答了马克思主义文论的某些侧面问题,因此其关系是相互补充和相互推进的。从历史上看,正是各种学派的不同论点争竞,撞击出真理的火花,由此促进了当代学人对马克思主义文论的全面、整体的把握和理解。
Since the New Period, there has been a continuing controversy among researchers and scholars of Marxist literary theory about the concept of literary ideology, the theory of art production, practical aesthetics and other classical propositions. In the debate, scholars have answered some aspects of the problems respectively from their individuals' perspectives, the relationship between them is complementary, different argumentations from various schools set off sparks of truth, thus having promoted contemporary scholars to grasp and understand the Marxist literary theory comprehensively.
作者
李立
LI Li(College of Humanities, Xi'an Shiyou University, Xi'an 710065, China)
出处
《唐都学刊》
2017年第1期119-123,共5页
Tangdu Journal
基金
陕西省社科界重大理论与现实问题研究项目:"延安时期马克思主义文论中国化研究"(2016Z060)
陕西省社会科学基金项目:"文本视角下马克思文艺思想解读研究"(2015J017)
陕西省教育厅科学研究计划项目:"文本解读与马克思主义文论知识创新"(15JK1572)阶段性研究成果
关键词
新时期
马克思主义文论
经曲命题
论争与经验
New Period
Marxist literary theory
classical proposition
controversy and experience