摘要
壮族诗性传统始终寄寓在特定的文化空间之中,壮族不同乡镇、不同县域和不同壮语方言文化区的不同壮族支系传承着不尽相同的歌咏习俗,形成相对统一而又各有地域特色的民歌文化和诗性传统,并不存在超越壮族各区域文化的形神统一的诗性传统。另外,随着壮族社会历史的演进,壮族诗性文化的传承语境不断发生变化,壮族人口的迁徙,壮族诗性文化空间也会发生位移。政治力量的干预和传播媒介的更新,也对壮族民歌文化的传承语境起到重要的制衡作用。
Zhuang poetic tradition always dwells in some specific cultural space,thus different branches of Zhuang people in different towns,different counties and different dialect areas have different singing customs,forming relatively uniform folk-song culture and poetic tradition with distinct geographical characteristics.There is no such poetic tradition with a uniform form and spirit beyond all the regional cultures of Zhuang people.With the social and historical evolution of Zhuang people,the inheritance context of Zhuang's poetic culture is constantly changing.Meanwhile,with the population movements,the poetic cultural space of Zhuang people may take place displacement.In the end,the intervention of political power and the renewal of communication media also play an important role in balancing the inheritance context of Zhuang folk-song culture.
出处
《文化遗产》
CSSCI
2017年第1期43-52,共10页
Cultural Heritage
基金
国家社会科学基金项目"壮族非物质文化遗产的诗性传统与文化建设的整合研究"(项目编号:14BZW170)的阶段性成果
壮族诗性传统研究系列论文之一