叙事视角的转变及其原因——在唐宋婚恋传奇的戏曲改编中探寻

The Transformation of Narrative Angle of View and Its Reasons——On the Opera Adaptation of Love and Marriage Stories in Tang and Song Dynasties

从唐宋婚恋传奇到后世的戏曲改编,叙事视角发生着巨变。唐宋传奇将史传的全知叙事继承了下来,并出于对曲折情节的追求使用限知视角叙事。戏曲通过扮演和代言,将叙述者的主要功能转嫁到人物身上,以人物的限知视角展开叙事,而"反限知"叙事的运用和人物相互之间的视角叠加又对限知视角进行消解,从而使观众处于全知视角上。叙事视角转变的原因是接受者对两者审美需求的不同。

Narrative perspective has a great change from the love and marriage stories in Tang and Song Dynasties to the later generation of opera adaptation. Tang and Song Dynasties Novels inherited history omniscient narrative way, and described the plot twists and turns of the story with the limited perspective of the narrative. Through the role of characters,the opera＇s main function of the narrator would pass on to the person and narrated with the character’s limited perspective. Meanwhile, the use of “anti-knowledge” narrative and superposition between characters digested limited perspective, so that the audience is omniscient perspective. The reason for the transformation of narrative angle of view is that there are differences between the receivers＇ asthetic needs to stories in Tang and Song Dynasties and opera.