《林海雪原》中的“中国叙事学”

“Chinese Narratology” in Linhai Xueyuan

长篇小说《林海雪原》据作者自述是依其真实战斗经历撰写而成,但考之史实,可知该小说基本上未能呈现东北剿匪残酷、危险、立体的原生态历史。不过就叙事生产而言,这部"离开了现实主义的方法"的小说在复活、再造"中国叙事学"方面却有罕见之成就。它以"儒表奇里"的故事策略、"斗智斗力"的叙述机制,成功地将纷杂的剿匪本事重构为一场兼含"文戏""武戏"的"旧小说"底色鲜明的"新革命故事"。"旧小说"与"新革命"之间的竞争与"妥协",构成了1950—70年代文学生产内部值得反复"勘探"的复杂事实。

According to the author, the novel Linhai Xueyuan is based on his real war experience, but historical facts show that the novel is basically not showing the brutal, dangerous and stereoscopic original ecological history of the Northeast bandits. In terms of narrative production, this novel, ＂ one that drops the method of realism,＂ has a rare accomplishment in resurrecting and reconstructing ＂ Chinese narratology ＂.Using the strategy combining Confucian ideology with interesting plots, the novel successfully reconstructs the complex murderous bandits story and turns it into a ＂new revolutionary story＂, that is, an obvious ＂old novel＂including ＂military＂ and ＂ civil ＂ scenes. Competition and ＂ compromise ＂ between ＂ old novels ＂ and ＂ new revolutions＂ constitute the complex phenomenon of the 1950s-1970 s literary production that it is worth＂exploring＂.