汉魏六朝禽鸟赋的类型化创作特点

The Stylization of Bird-imaged Fu in Han Wei and Six-dynasties

汉魏六朝是辞赋创作高度发达的时期,禽鸟赋作为其间咏物小赋的一支也得到了较为充分的发展;无论是对意象的继承和创新,还是对题材、主题的发掘,都取得了丰硕的成果。与这一时期的文人集团活动为主的时代潮流紧密相关,禽鸟赋创作具有明显的类型化趋向,这也在一定程度上限定了禽鸟赋创作的题材、主题和表现的手法;而诗赋合一的创作身份和态度也造成了禽鸟赋与禽鸟诗相互间的作用和影响。

Han Wei and Six-dynasties witnessed full development of Ci and Fu. The bird-imaged Fu,a branch of object-chanting ode,has also gained rather sufficient development both in the inheritance and innovation of images and in the exploration of subjects and themes. On the one hand,related with the activities of the scholar group,the bird-imaged odes' creation took an obvious stylized trend,limiting the themes,subjects and methods of bird-imaged odes to some extent. On the other hand,the combined Shi-Fu identities and attitudes of the author have caused the interplay between bird-imaged Fu and bird-imaged poems.