电影《安东尼娅家族》的生命哲学与女性叙事

Life Philosophy and Female Narration of the Movie Antonia's Family

《安东尼娅家族》是一部典型的带有哲学色彩的女性电影。电影呈现出田园牧歌式的影像风格,这种诗意风格背后是对叔本华悲观化生命哲学的表意实践,通过一些关于死亡的情节设置和带有超现实主义色彩的场景再现来表达导演个人对生命哲学的理解。导演马琳·格里斯在影片中塑造了以安东尼娅为代表的一系列个性化女性形象,在叙事中体现出细腻的女性情感,具有丰富的女性主义解读意蕴。

Antoaia＇s Family is a classic philosophical female movie, which dispays images of pastoral style. Behind this style of poetry is life philosophy of Chopenhauer＇s pessimism of signifying practice. The movie shows the director＇ s personal understanding of life philosophy by setting up some plots related to death and superrealism. Marlene Griess, directoe of the movie, shaped a series of fe- male images represented by Antonia, who reflected tenderness of female sentiment and had a wealth of feminist implications.