中国电视喜剧小品的形态嬗变:行走在内涵与形式之间

The Evolution of Chinese TV Comedy: between Content and Form

走过三十多年的中国电视喜剧小品行走出重形式——重内容——内容形式并重——重形式的清晰曲线图。20世纪80年代末期之前注重形式,主要依赖滑稽的形体表演;20世纪90年代中前期,电视喜剧小品编创及表演者队伍迅速壮大,小品走上了重视叙事和社会讽喻的内涵发展之路;90年代中后期电视喜剧小品在继承90年代前期叙事和讽喻传统的同时开始了形式自觉,开辟歌舞狂欢的喜剧审美领域;进入到新世纪,电视喜剧小品的形式自觉发展到游戏化阶段,注重玩味智力因素和游戏规则,因此狡黠替代讽喻成为这一时期最为显著的喜剧审美范畴。

Over thirty years of Chinese television comedy sketch showed a clear curve which respectively focuses on form,contents,both content and form,and form. Before the late 1980s,comedy sketch paid more attention to the form,mainly relying on funny body performance. In the early 1990s,TV comedy skitters and performers rapidly grew,and the sketches embarked on the narrative and connotation of social allegory. In the new century,the form of comedy has consciously developed to the stage of the game,and pondered the intellectual factors and the rules of the game,making sly alternative allegory become the most significant period of comedy aesthetic category.