汉代文学与图像关系叙论

On the Relationship between the Literature and Image in the Han Dynasty

在中国文学与图像的关系史上,汉代是一个重要的阶段,其帝国图式的构建、天子礼仪的形成、物质形态的拓展、象数思维的特征、德教传统的确立,为其文图关系的背景;天人感应的文化模式以及神仙、历史、名物三大传统,又为其文图关系的构成;而汉代礼制的呈现,可谓其文图关系的表述核心。特别是作为一代文学的"汉赋"与一代图像的"汉画像石",因其特定时代征象,堪称汉代文图关系的聚焦,值得阐发与思考。

The Han dynasty is an important stage in the Chinese history of the relationship be- tween the literature and image. The background of the relationship between the literature and image is the construction of imperial schema, the formation of emperor etiquette, the expansion of physical form, the characteristics of image-numerology thinking and the establishment of moral-education tradi- tion. It＇ s constituent elements are the culture pattern of heaven-human induction and the three tradition of immortal, history and entity noun. The core of the statement of the relationship between the literature and image is the presentation of etiquette in the Han dynasty. Especially as a generation of literature and image, the sign of times focus on the Han dynasty and therefore the relationship between the Han- fu and stone reliefs is worth to expound and think deeply.