渡海画家与台湾画坛的风格转型

Painters from the Mainland and Transformation of Painting Style in Taiwan

1949年前后,国民党政权退守台湾的历史事件极大改变了台湾社会文化的发展轨迹。若以画坛风格的变化来看,明清时代的台湾水墨画风及日据时期的东洋画风被迅速淹没,渡海画家所带来的绘画风格成为台湾画坛的主流。来自大陆不同地区和不同画派的画家在台湾的美展评审中、艺术院校的教学中、社会的美术活动中均占据主导地位,从而以美术宣传教育等手段重塑了台湾水墨画的发展方向。

The historical event of KMT＇s retreat to Taiwan around 1949 led to great changes in the development track of Taiwan society. In the field of painting, the styles of painters from the mainland became the mainstream in the art world of Taiwan, quickly flooding Taiwan＇s ink painting style with the characteristics of the Ming and Qing Dynasties and the Japanese style prevailing during the period of Japanese Occupation. Painters of various styles from different regions of the mainland played dominant roles in Taiwan＇s art exhibition assessments, art teaching in colleges and other art activities in the society. Hence, they helped to re- shape the development direction of Taiwan＇ s ink painting through art education and other means of promotion.