摘要
《拷红》是流传百年的昆曲《西厢记》经典名篇,子弟书是清中晚期北方满族民间说唱文学。子弟书作家以其独特的"期待视野",在场景预设、内心独白、人物形象、叙事策略和戏剧冲突等方面对昆曲《拷红》的空白进行填充,创造出一种精美绝伦的艺术品。
Xao Hong is a narrative lyric of Xi Xiang Ji(Romance of the Wertern Chamber) sprea-ding for hundreds of years, while “ Zidishu” is a northern folk art popular in middle and late periods of the Qing Dynasty. The writers of “ Zidishu” added the scene presets, internal monologues, char-acters ' images, narrative strategies and dramatic conflicts based on the “ expectation horizon” in Kao Hong. By doing so, they created a different form of Kao Hong.
出处
《文化艺术研究》
2016年第4期102-111,共10页
Studies in Culture and Art
关键词
子弟书
昆曲
拷红
艺术
“Zidishu”
Kunqu Opera
Xao Hong
art features