摘要
在中国近代建筑师中,不管是个人型或联合型事务所,所操作的大部分作品都是古典、折中与现代并存,并产生一种钟摆效应,一阵摆向古典、折中,一阵又摆向现代,此乃是中国近代建筑师在实践时的一个特有的现象。
Among the modern Chinese architects, whether individual firms or associates, most of their practicing works are classical, eclectic and modern in coexistence, and generate a pendulum effect. That means they sometimes swing to classical and eclectic, and other times they swing to modern. This is a peculiar phenomenon in the practice of modern Chinese architects.
出处
《世界建筑导报》
2016年第6期45-49,共5页
World Architecture Review
