白鬃马穿过甘南——论扎西才让的原乡写作

The White Mane acrossing Gannan: Discussion on Nativist poetry by Tsering Tashi

当代藏族诗人的汉语写作,原乡图象较为突出。对大部分诗人来说,原乡有时是阶段性的写作计划,更多时候只是偶然的,若要观察一个具有较大时间跨度的样本,长期生活在甘南藏族自治州的扎西才让是理想的选择。从1992年至今,扎西才让的原乡写作始终坚持着"以人为本"的核心观念,他对文化的记忆和场所精神的经营,都透过不同人物的生命际遇构筑而成,让每个地点都有它的故事,最终完成甘南原乡图象的建构。

Native land Image poet. For most poets, native is the most land is sort prominent kind of Chinese writings by contemporary Tibetan of a phased writing plan more oftenly composed just by chance;and in order to look for samples with larger time span,longterm resident in ＂Gannan Autonomous Prefecture＂-TseringTashi would be the most desired researching subject. Since 1992 Tibetan till to-day,Nativist poetry Writings by TseringTashi were always adhered to the ＂people-oriented＂ core con-cepts,while the ways cultural memory and genius loci managed by him were built on life fortune of different characters,in which each location has its own story that sums up for the completion of Gan-nan s native land Image.