摘要
《赫索格》中的"自然"是犹太知识分子主人公赫索格悖论性认识论的客体化反映。它既象征着赫索格对"田园"传统和超验主义、个人主义的继承,也象征着赫索格作为犹太人对生活在20世纪60年代反文化运动盛行的美国社会的焦虑,"田园"幻灭为不受控的"荒原",他改造"自然"的试验受挫,最终他不得不回归社会。这一双重"自然"悖论也体现了美国犹太作家贝娄1960年代的矛盾思想。
The ＂nature＂ in Herzog is the objective reflection of its Jewish American intellectual protagonist Herzog＇s paradoxical epistemology. It symbolizes his inheritance of the pastoral ideal,transcendentalism and individualism as well as his anxiety towards the American countercultural movements in 1960 s when the ＂garden＂ becomes disillusioned as the uncontrollable ＂wasteland＂. Herzog feels frustrated when he fails to rebuild the ＂nature＂. Finally,he has to return to the society. The paradoxically double ＂nature＂ also implies Jewish American writer Saul Bellow＇s conflicted thoughts in1960 s.
出处
《贵州民族研究》
CSSCI
北大核心
2016年第12期128-131,共4页
Guizhou Ethnic Studies
基金
国家留学基金资助项目(项目编号:20150846001)
关键词
赫索格
索尔·贝娄
自然
悖论
Herzog
Saul Bellow
nature
transcendentalism
paradox
