摘要
民族舞剧《风筝》在继承传统意义的同时,还确定了一种新的意象语料,强化了它的隐喻性和象征性。剧中描述了抗战时期以顺德堂杨氏一门为代表的普通民众的情殇。并且这种情殇又与民族和历史紧密相联,在深层上揭示了爱情的审美理想被毁灭的悲剧性。也正因为如此,在"大国"与"小家"的两条平行线结构中,儿女情长必然的成为家国兴亡、儿女情长的一部分。这在本质上提升了《风筝》一剧的多重审美意蕴。
The sole pursuit of art is its aesthetic expression. On basis of the aesthetic expression,the Chinese national dance drama Kite also enhanced its significance in aspects of metaphors and symbolism. This drama depicted the tragic love story of people in the Yang family of Shunde Tang during anti-Japanese war period. The tragic love story was put in the broader historical and national context,which revealed the doom of frail love in the turmoil of war. Struggling between the " big country" and the " small family",love is kind of luxury which will unavoidably be sacrificed. From this perspective,the tragic love story has promoted the aesthetic expression of Kite.
出处
《山东青年政治学院学报》
2016年第6期47-51,共5页
Journal of Shandong Youth University of Political Science
关键词
舞剧
风筝
审美意蕴
家国情怀
Dance Drama
Kite
Aesthetic Expression
Responsibilities for One's Family and Country