20世纪80年代末诗歌“黑夜”意象群的镜像解读

Interpretation of the Mirror Image of the “Dark Night” Image Group in Poems of the Late 1980s

20世纪80年代末,以北岛、顾城、海子、戈麦等人为代表在诗歌中对"黑夜"意象群的集中关注和表达,既能够凸显探索诗歌理想的紧张感,也隐现着诗人把握社会现实复杂关系的思考能力与认识角度。围绕"黑夜"意象群的象征性、否定性、隐微性写作,80年代末汉语诗歌将审视自我与反思时代紧密联系起来,"黑夜"的抒写成为一种自我认识的手段。以"黑夜"意象群构造的特殊情境作为考察对象,阐释"黑夜"艺术母题的内涵,从诗歌技艺角度分析呈现"黑夜"作为精神书写的矛盾体所具有的丰富复杂性。

In the late 1980s, Bei Dao, Gu Cheng, Hai Zi, Ge Mai and other China＇ s lead poets paid much attention to the image group of ＂dark night＂ in their writing. While highlighting the sense of urgency of exploring poetic ideas, their effort also showed their ability to reflect on and know about the reality and complicacy of our society. By revealing the symbolism, negation and evasiveness of the image group of ＂dark night,＂ Chinese poetry at that time combined examination of the poets themselves and that of the time they were in. Writing about the ＂dark night＂ thus became a way to show your knowledge about yourself. The present paper first attempts to interpret the connotation of ＂dark night＂ as an art motif from departure of the special context of ＂dark night＂ as an image group before proceeding to analyze the concrete varied and complicated spiritual content of ＂dark night＂.