误读与祛弊:胡适《易卜生主义》新解

Misreading and Disenchantment:A New Analysis of Hu Shi's Ibsenism

胡适《易卜生主义》的本意不在干宣扬写实主义戏剧,而在于启蒙中国戏剧工作者的自由意志。虽然把《易卜生主义》纳入戏剧学的研究范畴有一点勉强,但胡适的启蒙思想仍然对中国戏剧的发展有着指导性的意义:只有当戏剧工作者首先是一个现代人时,我们才有可能确保戏剧作品的现代性,确保中国戏剧真正走进现代社会。《易卜生主义》一文在文化层面指引了中国戏剧的价值追求,印现代戏剧的自由意志和独立品格。

The essence of Hu Shi＇s Ibsenism is not advocating the Realistic Drama, but evoking the free will of Chinese dramatists. Although it is a little unreasonable to classify Hu Shi＇s Ibsenism into the research category of Drama Studies, his enlightenment for Chinese drama is still having great guiding significances. Only the dramatist as a modern person with free will, possesses the possibility of modernizing Chinese drama. Hu Shi＇s lbsenism establishes the modernity of Chinese drama in the cultural level.