摘要
从1999年“新水墨”第一次在新加坡正式亮相,距今已有17年了。在这期间,冯斌一直在探索水墨画在当代艺术语境下的转型,他希望“新水墨”能作为中国传统艺术的新语言,实现与当代艺术的沟通、对话,以此弘扬中国传统美学和艺术。
Feng Bin has been exploring the transition of ink painting in the context of contemporary art for 17 years, since the first debut of"new ink"in Singapore in 1999. During this period. He hopes that "new ink"can communicate with contemporary art, as a new language of traditional Chinese art, to promote traditional Chinese aesthetics and art.
出处
《当代美术家》
2017年第1期58-63,共6页
Contemporary Artists
关键词
新水墨
当代艺术
中国画
New ink, Contemporary art, Traditional Chinese painting