晚宋“清空”说与词学法度

The Theory of “Pureness”and Normative Study of Ci in Late Song Dynasty

在词坛法度趋严、审美趋雅、词坛风气发生变化的背景下,晚宋词学经历了从推崇质实典丽到宗奉清空骚雅的渐变。张炎"清空"说是这一现象的结穴与归宗,也是晚宋词人群体共同的创作追求和理论建构。在时代鼎革的政治文化环境中,"清空"是基于思想内容的艺术风格,更具有立意高远、抒情平正、布局精美的法度意义。词论词集合刊本《山中白云集》,印证了张炎及晚宋词人创作具有词学法度的实践范本意义。

Since the Southern Song Dynasty, Ci had witnessed stricter norms, better aesthetic elegance and changing morals in the field. Until the late Song Dynasty, the study of Ci had experienced a gradual change from revering actual facts and grand allusions to advocating pureness and elegance. Zhang Yan＇ s theory of ＂pureness＂ （qingkong） was the consummation of the transformation and became a shared ideal and theoretical basis to the ci poets of late Song Dynasty. Against a time of dramatic reform in politics and culture, ＂pureness＂ was a style of art based on thought and content, and its normative significance was all the more valued for its lofty and profound meaning, smooth and fair lyric style and exquisite lection of Clouds in the Motmtain was a typical and normative study, a practice carried by Zhang Yan layout. The combined collection of ci poems and ci study Col- significant exemplar of ci creation embodying the dimension of and his fellows in late Song Dynasty.