从模糊无名到系列典型——析中国现代文学作品中的长子形象

From obscure to series——On the image of the eldest son in modern literary works

从鲁迅笔下的"大哥",到巴金笔下的高觉新,再到路翎《财主底儿女们》中的蒋蔚祖,中国现代文学作品中长子形象的刻画经历了由模糊向清晰,由简单向丰满的过程。在角色意义的承载上,他们的思想具有由旧向新过渡和转化的趋势,这也正是中国社会思想文化由旧向新转化过程的映射。通过选取部分作品的几个要素,将其串联,放置于时间的链条中考察,可寻见现代文学作品中长子形象的演变轨迹。

From Lu Xun＇s ＂big brother＂to Ba Jin＇s Gao Juexin,and Lu Ling＇s ＂rich man＇s children＂Jiang Weizu,in the portrayal of the characters,is a fuzzy to clear,from the simple to the fullness of the role in bearing;on their thought has transformed from old to new trend of transition,which is the reflection of culture Chinese social thought from old to new transformation process.If several elements of the series,observed at the time of the chain,we can find that the eldest son image in modern literature development evolution.