摘要
本文就从后期印象派的塞尚到抽象表现主义的康定斯基,论述了从“情感表现论”到“精神表现论”这一过程,并且阐述了“表现论”对西方表现性绘画所起的重要作用。
The paper gives you the stories from after-impression represented by Paul cezanne to the abstract expresionism represented by wassily kandinsky. It introduces the transition from “feeling expression” to “the spirit expression”.It represents the most important function of “the expression” to the western expression drawing.
出处
《武汉科技学院学报》
2002年第4期8-10,共3页
Journal of Wuhan Institute of Science and Technology
关键词
绘画
再现
表现
精神
抽象
感知
drawing
reappearance
expression
spirit
abstract
feeling