“外师造化”与“中得心源”——论写生在工笔画教学中的重要性

“Nature in Form” and “Essence in Heart”——On the Importance of Sketch in the Teaching of Claborate-style Painting

一幅好的工笔作品自然离不开好的构思,精心构图,合理布局,更重要的要我们走进大自然中去写生,在写生中造型和描绘的能力,产生由"外师造化"过程衍进出的"中得心源"内心感受,从"师"造化过程中得到启发、产生灵感和创作诉求。因此写生是习画者得到第一手素材的途径,也是创作者通过写生实践总结规律的过程,也是国画教学的基本点之一。在高校美术教学中应该重视写生教学,通过写生方法几个步骤的训练,才能使学生的创作有活力、有表现力,同时有创新和思想,在作品中表达创作者的情感。国画教学只有重视学生写生,才能使作品因写生的充实领悟而升级,从而达到相互促进的良性循环。

Naturally, a good painting works cannot do without good ideas, elaborate composition and reasonable layout. More importantly, we should enter into the nature to sketch, in which the sketch modeling and description ability are trained, and the ＂essence in heart＂ is produced from the ＂nature in form＂, furthermore, the enlightenment, inspiration and creation desire are stimulated. Therefore, sketching is not only the way to acquire the first hand material, but also the process that the creator summarizes the law through sketching practice, which is also one of the basic points of Chinese painting teaching. More attention should be paid to the sketch teaching in art teaching in colleges and universities, through several steps of training in sketching methods, the works of students can be dynamic, expressive, and creative. Through attaching importance to the students sketch, students＇ works can be upgraded because of the full understanding of painting, so as to achieve the purpose of mutual promotion.