北宋民间绘画与文人画风对翰林图画院的综合性影响

On the Comprehensive Influence of Folk Painting and Literati Painting Style of Northern Song Dynasty on Imperial Art Academy

北宋的翰林图画院人才济济,成为北宋绘画发展、交流、变革的中心和研究领地。宋代的民间绘画、文人士大夫绘画与宫廷绘画之间虽各成体系,但又彼此影响,特别是以文人士大夫绘画为主体的文人画("士人画")与宫廷绘画("院体画")相互联系、彼此影响。画院积极吸收院外不同画风思潮以不断丰富画院的艺术创作。素以专尚法度、唯求形似为圭臬的画院创作在借鉴吸收民间绘画与文人画思想与风格的过程中不断走向兼容并蓄的发展革新之路,由帝王趣味主导下的翰林图画院真正成为一所兼容并蓄的宫廷画院。

Having a galaxy of talents,the Imperial Art Academy of Northern Song Dynasty became the center and research institute of the development,exchange and evolution of painting.The folk,literati and royal paintings had their respective systems,but interacted,especially the painting of manof-letters and the imperial-court decorative painting having interaction and each other’ s influence.The Imperial Art Academy actively absorbed different painting styles and thought trends outside and enriched the artistic creation of itself,whose inclusive evolution way was formed on the basis of its pursuit of rules and form similarity and the process of absorbing folk painting and literati painting thinking and style.The mperor-oriented Imperial Art Academy became a real inclusive painting academy of royal court.