假象式矛盾消解下的父子关系塑造——张杨电影中父亲形象分析

On the Relationship Between Father and Son Under the Elimination of False Contradiction——an Analysis of Father Image in Zhang Yang's Films

女张杨导演总是喜欢用家庭这个概念去承载故事。他导演的电影在家庭这个大范围内不仅书写父子关系,更可以去描绘社会现实,也可以去写入内在情感的东西。对于张杨电影的研究,评论界更多的集中在其父子关系分析和张杨对于传统文化的回归两个议题上,而对于电影中出现的形形色色的父亲形象缺乏一个集中的关注。本文试从张杨电影中的父亲形象入手,展示父辈们的精神世界和心灵困顿,以此来总结出张杨电影中的一些创作特点。

Director Zhang Yang always likes to use the concept of the family to carry the story.His films about family not only express the relationship of father and son,but also depict the social reality and the inner feelings.Researchers most focus on the analysis of father and son and Zhang’ s return of traditional culture,lacking of concentrated study of the various father images from the films.This paper tries to show the fathers’ spiritual world and predicament from the father images of his films in order to summarize some creation features about Zhang’ s films.