论当代诗歌(1949～1966)传播中的诗画互文现象

On the Intertextual Phenomenon of Poem and Drawing in Contemporary Poetry (1949～1966) Transmission

在1949~1966年文艺"大众化"的传播潮流中,当代诗歌传播出现了诗画并置与融合的互文现象,抽象的诗歌符号与直观的图像符码之间保持着一种微妙而隐蔽的关联。一方面,图像作为诗歌文本特定情境的修辞编码和意识形态的"镜像符号"所具有的强大隐喻力量点燃了读者的读诗热望并启动其诗歌想象;另一方面,诗歌作为图像叙事和意义生成的预设框架又深深锁定图像符号的阐释向度与深度。由于当代诗歌诗画之间缺乏相互指涉的异质、互否或对立元素,因而难以彰显相异文本的审美张力和意义增值空间。

There is an intertextual phenomenon of poem and drawing in popular transmission of contempo- rary poetry from 1949 - 1966. There are some inconspicuous and complicated correlations between abstract signs of poetry and visual symbols of image. As the rhetoric coding of context and mirrored symbol of ideology around poetry text, images with powerful force of metaphor imbue readers with enthusiasm for reading poetry and poetic imagination. As the assumed frame of image narration and meaning production, poems lock the dimension and depth of elucidation of images. The contemporary poem and drawing cannot present the esthetic tension of text and value - added space of textual meaning, due to the lack of factors of mutual involvement, negation or antago- nism between different texts.