谢榛诗话的格调论探析

Analysis on Pattern Theory of XIE Zhen's Poetry

谢榛的《四溟诗话》在明前后七子的诗论中占有重要地位,与其他论诗家一样,他也主张"格调论",但与他人的剽窃、蹈袭、模拟不同,他主张贵有新意。他推崇古人,但不迷信古人,在主张"格调论"的同时,他看到了"诗贵性灵"之处。谢榛在格调论的同时,主要在尊唐抑宋、格调的新奇,以及格调内容的丰富与开拓上下工夫,他认为诗要格调好,首先要"神来气来",这样才能"豪健无敌"。谢榛认为好的格调是要辨拙巧、明虚实,齐长短,展气象的。

XIE Zhen＇s ＂Siming Poetry＂ccupies an important position among seven poets before and after Ming dynasty. He advocates ＂pattern theory＂ like other poets,but he introduces new conception in poetry instead of plagiarism and simulation in other poets＇ works. He respects the ancients,but not worship blindly. He believes in pattern style,but insists on ＂spirit in poetry＂. He makes efforts in creating new style and enriched content. He believes that poetry should have good style, which can distinguish between good and bad, reality and fantasy.