摘要
喜剧性,是喜剧艺术的内在规定性。对于喜剧性的本质、特征等,前辈学人已有精彩论述。但是,对于如何营造喜剧性的问题,长期以来却很少有人涉猎。显然,针对这个问题的思考,属于弥补宏观理论与创作实践"最后一公里"缺失的研究。着眼于喜剧创作的三个关键环节,笔者以为,寻找显性的喜剧人物,打造潜在的喜剧人物;遴选必然的喜剧故事,演绎或然的喜剧故事;吸纳民间的喜剧语言,编创新颖的喜剧语言,均可认定为营造喜剧性的有效策略。而具体的操作方法,则是喜剧性的营造策略的细化与支撑。
Comedy is the inherent regularity of comic art. Past scholars have excellently discussed the essence and features of comedy. However, few people refer how to build comedy. Obviously, this belongs to the " last - kilometer missing" study that compensates for the macroscopic theory and creative practice. In my opinion, in order to effectively build the atmosphere of comic, we should seek for the dominant comic figures to create the potential comic characters, and select necessarily comic tales to perform the probable comic story, and absorb comic language from the folk to create fresh comic language. And the concrete operating means is the refining and supporting of the building strategy of comic.
出处
《艺术百家》
CSSCI
北大核心
2016年第6期104-108,共5页
Hundred Schools In Arts