黎族造物意象形式:神秘性思维的集体表象

Image Form of Li Minority Design Art: Collective Presentation of Mysterious Thinking

黎族人通过对外部世界的观察、体验和模仿,发现了物质世界和人类自身所包含的形式美的规律,并最终用自己民族的集体表象,主动地将形式美的规律运用到造物设计的各个方面。它们没有纯粹的装饰意味,没有纯粹的具象与抽象造型,而是将精神生活符号化,带着神秘性思维与宗教信仰,以意象形式占据着主导,用夸张、重构、简化等方式来处理形式与思维的问题。

Through an observation, an experience, and imitation of the external world, Li people find the law of form beauty of the material world and human itself, and eventually actively apply their own national collective presentation to the every aspect of design art. They have no pure decorative meaning, no pure abstract or concrete mould, but put their spiritual life into a sign or a symbol with a mysterious thinking and religious belief. Taking image form as the most important element, they use exaggeration, reconstruction, and simplification to handle form and thinking problems.