论元代以降青花装饰的时尚筛选

Fashionable Screening of Blue-and-White Flower Decoration After Yuan Dynasty

元代以降,青花繁盛,有鸳鸯、莲瓣、缠枝花卉等各种经典纹饰,明净优雅、寓意吉祥,有着完整的风格体系和审美格调,是古代瓷器装饰艺术中最具有特色的一种。对于这些传统纹样的研究,已有较为详细的分类和整体探究,其中无论是民窑还是官窑都是现代审美有意义上的优秀文化遗产。现代陶瓷艺术装饰设计之中,对传统的吸收、改造还远远不够,不能时尚地筛选并将其应用到现代陶瓷创作中,未能有效继承古代优秀文化。研究元、明、清青花瓷装饰的创作缘由及审美内涵,并理顺其发展流变,有益于现代陶瓷的设计创新。

After Yuan dynasty, blue - and - white flower decorations including classical patterns of mandarin duck, lotus petal, and tangled branches were very popular, and they had implied meaning of clearness, elegance, and auspiciousness. Blue - and - white flower decoration has a complete system and aesthetic patterns, and it was the most peculiar kind in ancient porcelain decoration. Very careful categorization and entire researches have been given to traditional patterns, and either folk kiln or official kiln could be a positive and significant reference for modem aesthetics. There is not enough absorption and reform of tradition in modem porcelain art decoration since we cannot fashionably select them and apply them in modem porcelain creation and this would block us from effectively inheriting excellent traditional culture. Therefore, to study the creation reason and aesthetic connotation of blue - and - white flower decoration in Yuan, Ming, and Qing dynasties and clear up their evolvement will benefit for modem porcelain innovation.