宋代漆器研究的回顾与展望

Review and Prospect on the Research of Lacquer Ware from Song Dynasty

宋代的漆器艺术因受中古以后文人鉴藏之风的影响而受到了珍视。20世纪初,有关宋代漆器的研究开始凸现,并在20世纪中叶以后迅速发展。不但海外的相关研究根据流传在外的宋代漆器遗物而得以展开,同时在国内的考古发掘又发现了越来越多的宋代漆器文物,使得国内的相关研究不断进步。回顾过去的宋代漆器研究进展,可以明显地发现它最初受到了宋瓷收藏研究繁盛的带动,并自上世纪六十年代以后从对宋代素髹及雕漆的集中研究走向了对兼顾螺钿、戗金等不同工艺、不同类型的全面研究。

With the more popular of connoisseurship and collection, lacquer art of Song dynasty was payed more attention by the literati at that time. In the early of 20th century, the research on Song lacquer became fashionable and richer after 1950s. Not only the overseas research appeared according to the Song lacquer treasured at abroad, but also the Chinese research developed fast with the archaeological discovery on it. The development of the research of Song lacquer, its origin founded with the rich research on Song porcelain（Songci） at first, and after 1960s it turned from the focus on the monochrome lacquer（Suxiu） and carved lacquer（Diaoqi） to the various types of the Song lacquer like inlaid mother-of-pearl（Luodian） and inlaid gold powder（Qiangjin）, ect,.