苗族接龙舞展演的“民俗生活”与“国家舞台”——基于湘西吕洞山地区的田野调查

Miao People's Jielong Dance Performance as Demonstration of“Folk Life”and“National Stage”:Field Study of in Lyudong Mountain Area of Hunan Province

以田野调查材料为基础,探讨当下接龙舞展演场域的位移,并对接龙舞的保护与发展提出新的思路。结论认为,在现代语境之下,苗族接龙舞拥有两个展演场域,即苗族民间的"民俗生活"与政府建构的"国家舞台"。随着接龙舞展演的"民俗生活"场域日趋式微必须努力实现其从"民俗生活"向"国家舞台"的场域位移,与此同时,依靠"国家"的强大的影响力来扭转接龙舞在"民俗生活"场域里的弱势,并最终实现在两个展演场域的良性互动,共同发展。

Under the modern context,there are two fields of performance of Miao People＇s Jielong Dance：one exists in the folk life;the other is constructed by＂national stage＂.At present,＂Jielong Dance＂became less and less popular.It was shown more as a dance full of the Chinese characteristics.To protect and develop Jielong Dance,it was important to be promoted more among the folks and supported more by the government.