现代革命语境下流氓无产者的审美想象

The Aesthetic Imagination of the Hoolock Proletarian in the Modern Revolution Context

在马克思、恩格斯看来,流氓无产者是现代化的产物,他们在现代革命中充当重要角色。中国现代文学同样发现了这一特殊群体,从鲁迅开始便极为关注他们与革命之间的内在关系,探索他们之于革命的影响与意义。在文化启蒙、革命启蒙与后启蒙话语语境中,流氓无产者的劣根性被凸显,他们成为革命的投机家与剽窃者,他们对于革命的热情被视为出于对革命果实的觊觎。在革命叙事里流氓无产者审美形象发生重要转型,虽然他们仍然存在群体人格缺陷,但是只要合理引导同样能够成为革命重要力量。对于流氓无产者的审美认知是我们理解现代革命的一个重要维度。

In the view of Marx and Engels, the rogue proletariat is the product of modernization and play an important role in the modem revolution. Modem Chinese literature also found this special group. From the beginning of Lu Xtm, they are extremely concerned about the internal relationship with the revolution and their impact on the revolution and significance. In the context of cultural enlightenment, revolutionary enlightenment and post-enlightenment discourse, the evil nature of the rogue proletariat is highlighted. They become revolutionary speculators and plagiarists. Their passion for revolution is seen as coveted by the fruits of revolution. In the revolutionary narrative, the rogue proletariat＇s aesthetic image has undergone an important transformation. Although they still have the defects of group personality, as long as reasonable guidance can also become an important force in the revolution. The aesthetic perception of the rogue proletariat is an important dimension of our understanding of the modem revolution.