摘要
历经秦汉之雄浑、魏晋之飘逸、隋唐之饱满,美学倾向至宋大抵呈现出的是一种平淡之美,在工艺美术上更是表现得尤为突出。造型简洁、线条挺拔、色彩单纯、质地温润,处处显示出宋人不同于前朝的格调。本文将视角置于最具有代表性的素髹漆器与单色釉瓷器的美学特征上,采用对比的方法进行探讨,寻找相同与异同,以期发现其背后宋人的文化精神与美学意识。
The aesthetic tendency in Song dynasty was the ordinary beauty, following the sublime of Qin and Han dynasties, elegance of Wei and Jin dynasty, plumpness of Sui and Tang dynasties, especially in the arts and crafts. Simple shapes, straight lines, pure color, and mild texture, show different style of Song from former dynasties. This article pays attention to the most representative aesthetic characteristics of lacquer coating and the monochrome glaze porcelain, by means of comparison to look for the similarities and differ- ences, and find their cultural spirit and aesthetic consciousness.
出处
《中国生漆》
2016年第4期4-7,共4页
Journal of Chinese Lacquer
关键词
宋代
素髹漆器
单色釉
美学
Song Dynasty
single colour lacquer
monochrome glaze
aesthetics