摘要
漆立体创作是由漆器实用性造物理念向私我精神表达的转变,更是由"器"向"器度"的转变。这种转变需要一定的艺术理念或观念作支撑,需要"器度思维"作指引,同时强化漆立体形态语言的表现力。本文着重从艺术创作理念、如何理解大漆、艺术表现手段等几方面研究当下漆立体的创作途径。
the lacquer three - dimensional creations is the transition from practicability of lacquer creations idea to showing personal spirit, from simple lacquer to complex process thinking. This transformation needs certain artistic concept or idea. This process require art idea and "degree of thinking". At the same time, it also needs the language expression of three -di- mensional form. This paper researches on the methods of lacquer three - dimensional creation from aspects of the artistic crea- tion concept, how to understand Chinese lacquer, art expression means, etc.
出处
《中国生漆》
2016年第4期22-25,共4页
Journal of Chinese Lacquer
关键词
器度思维
艺术理念
表现手段
degree concept of art thinking Performance measures