摘要
让·杜南作为法国装饰艺术运动时期杰出的漆艺家,立足本土西方艺术,积极吸取东方艺术的有效养分,精研传统大漆髹饰工艺,采用立体派的造型语汇,巧妙布局抽象的几何形态和精美的线型装饰,创作出了一大批具有现代时尚感的立体漆艺作品。反观他的漆艺创作之路与他独特的创作哲学具有深刻联系——凸显文化性、艺术性、本土性,这一高屋建瓴的创作方法使他的作品在装饰运动的诸多漆艺家中独领风骚,这对当代中国立体漆艺创作也具有一定的启示意义。
Jean Dunand is an outstanding lacquer artist in the period of French Art Deco movement. Based on western lo- cal art, and actively absorbing nutrients of Oriental Art, developing the traditional lacquer painting techniques, using other Cubist vocabulary, careful layout of abstract geometric shape and fine line decoration, he designed a large number of modern fashion sense stereoscopic lacquer works. His creation road of lacquer and his unique design philosophy, has profound relation- ship-- highlights the cultural , artistic, and native characteristic. This design method make his work play the leading role in the decoration movement. His design method also has certain enlightenment significance to the contemporary China three -di- mensional lacquer design.
出处
《中国生漆》
2016年第4期26-29,共4页
Journal of Chinese Lacquer
关键词
让·杜南
立体漆艺
设计
Jean Dunand
three - dimensional lacquer art
design