从漆画本体语言出发浅析中国现代漆画的发展

Starting from the Ontology language of lacquer painting to analyse the development of the Chinese modern lacquer painting

脱胎于已有8000年文化的传统漆艺,从物到画,中国现代漆画自80年代开始逐渐进入大众视野,漆画在多元化的现代审美语境下,在艺术样式、民族特色等方面得到了公众的初步认可。目前作为一个刚刚独立的画种,漆画的本质特性问题逐渐成为了漆画艺术界共同探讨的重点。对于漆画艺术家而言,抓住现代漆画的本体语言是找到自己说话方式的关键。本文将本体语言大体分为材料语言、技法语言、艺术语言三部分,在此基础上讨论了中国现代漆画的发展现状以及发展前景。

Based on the 8000 - years culture of traditional lacquer art, from object to draw, the Chinese modern lacquer painting since the 80 s gradually came into the public view. It is public recognized that lacquer painting is in the context of plu- ralism of modern aesthetic, rooted in Chinese traditional culture, with art style, ethnic characteristics. But as a newly inde- pendent type, there are still many problems need to discuss. For lacquer painting artist, seize the ontology language of modern lacquer painting is the key in the process of lacquer painting creation. Ontology language includes material, technique and art language. This paper discusses the development status quo and prospect of Chinese modern lacquer painting.