摘要
郭小川20世纪50-60年代的情书与情诗,既存在相似性或变异性,又存在内在的互补性或差异性。对其情诗与情书的"互文性"分析,可以有效观察"当代诗歌"正副文本之间内在的复杂关联,拓宽诗歌"正文本"的阐释空间。由此出发,可以从副文本资料的分类梳理、价值重估与问题探究等多重维度入手,反思"当代诗歌"演进进程中的独异现象与复杂问题,推动"当代诗歌"研究在新的向度上再出发。
There are some similarities and variations, complementariness and differences of Guo Xiaochuan’s love poems and love letters from 1949 - 1966, in the narrative model of love, the value orientation of text, the image of poet and the style of writing, etc. By analyzing and studying the intertextuality of public love poems and private love letters,we can observe the complex correlation between text and para- text of contemporary poems. The research and arrangement of para-text can broaden effectively the interpretive space of poetry text, introspect the unique phenomena and complex problems in the development of contemporary poems. A further study is conducted in respect of classification and combing, revaluation and question-exploration of para-text of contemporary poems.
出处
《北京社会科学》
CSSCI
北大核心
2017年第2期21-29,共9页
Social Sciences of Beijing
基金
国家社会科学基金项目(15XZW029)
关键词
郭小川
情诗
情书
互文性
“当代诗歌”
副文本
Guo Xiao- chuan
love poem
love letter
intertextuality
contemporary poem
para-text