摘要
庐隐的人生道路与创作历程和"五四"都有着密切的联系,她塑造的"五四"女性形象——包括"新女性",也包括"旧夫人"——具有显著的"过渡"色彩:既有着鲜明的新思想又带着浓重的旧烙印,既体现了过渡时期的社会特征又展现了过渡时期两性关系的特征。虽然没有提出解决女性乃至社会问题的方法,但在这些女性形象身上仍然可以看到庐隐对当时女性乃至社会问题的立场、思考与态度。
The life and creation of Lu Yin are closely related to ' May-4th',her ' May-4th' female image shaping,including ' new woman',including ' old Mistress'-has significant ' transition' color: is a bright new ideas and have an old brand,reflected the social characteristics of the transition period and shows the characteristics of the transition relationship. Although there is no put forward the method to solve the problem of women and even the society,but in these female images,we can still see Lu Yin stance on women and even the society at that time,thought and attitude.
出处
《佳木斯大学社会科学学报》
2017年第1期104-107,111,共5页
Journal of Social Science of Jiamusi University
基金
广西教育厅科研项目(KY2015LX04)
广西大学科研基金资助项目(XGS1502)
关键词
“五四”女性
过渡
挣扎
新女性
旧夫人
'May-4th' woman
Transition
Struggled
New Woman
Old Mistress