2M. Douglas Daschuk, "Messageboard Confessional: ' Emo Kid' ," Berkeley Journal of Sociology, Vol. 2010, pp. 84 - 107.
3Online Discourse and the Production of the 54, Knowledge Production and Expertise, Patrick W. Galbraith, " Akihabara: Conditioning a Public ' Otaku' Image," Mechademia, Vol. 5, Fanthropologies, 2010, pp. 209 - 230.
4Eva Tsai & Hyunjoon Shin, "Strumming a place of one's own: gender, independence and the East Asian pop-rock screen," Popular Music, Vol. 32, No. 1, 2013, pp. 7 - 22.
5Jasmine N. Ross & Nicole M. Coleman, "Gold Digger or Video Girl: the salience of an emerging hip-hop sexual script," Culture, Health & Sexuality, Vol. 13, No. 2, 2011, pp. 157-171.
6Jennifer Milioto Matsue, "Stars to the State and Beyond: Globalization, Identity, and Asian Popular Music," The Journal of Asian Studies, Vol. 72, No. I, 2013, pp. 5 -20.
7Koen Leurs & Sandra Ponzanesi, "communicative spaces of their own : migrant girls performing selves using instant messaging software," Feminist Review, Issue 99, Media Transformations, 2011, pp. 55 -78.
8Gabriella Lukacs, "Dreamwork, Cell Phone Novelists, Labor, and Politics in Contemporary Japan, " Cultural Anthropology, Vol. 28, Issue 1, pp. 44 - 64.
9Jakob Nobuoka, "User innovation and creative consumption in Japanese culture industries: the case of Akihabara, Tokyo," Geografiska Annaler. Series B, Human Geography, Vol. 92, No. 3, 2010, pp. 205 -218.
10Luca Mavelli, "Postsecular resistance, the body, and the 2011 Egyptian Revolution," Review of International Studies, Vol. 38, No. 5, 2012, pp. 1057 - 1078.