摘要
人物塑造是戏剧中的重要组成部分,戏剧情境是戏剧舞台呈现不可或缺的前提。艺术家在戏剧"规定情境"中进行艺术形象塑造成功与否是衡量一位艺术家艺术水平高低甚至关涉一部戏剧成败的重要因素。"第二十七届中国戏剧梅花奖"获得者杜欢在五幕民族歌剧《回家》中"离家""想家""安家""寻家"到"回家"的每一幕"规定情境"中巧妙地塑造了剧中主角罗旺篼饱满的艺术形象。罗旺篼角色艺术形象成功塑造的相关经验,值得当前民族歌剧演员借鉴。
Characterization is an important part of the drama, the situation of drama is an indispensable premise on the dramatic stage. The art image creation is successful or not in a set situation is a key ndicator. Du Huan, the 27th Chinese Drama Plum Blossom Prize winner,who shapes the role of Luo Wangdou skillfully in the scene of leaving home, missing home, settling hone, searching for home and going home. The experience of shaping the role of LuoWangdou Successfully is worthy classical opera actors of learning.
作者
张宇俊
杜欢
ZHANG Yujun DU Huan(Ganzhou Literary Federation ,C, anzhou 341000, China School of Music, C, annan Normal Universitiy, Ganzhou 341000, China Song and Dance Theatre of Jiangxi Province, Nanchang 330008, China)
出处
《赣南师范大学学报》
2017年第1期132-135,共4页
Journal of Gannan Normal University
基金
2015年度江西省艺术科学规划项目YG2015257)
关键词
戏剧情境
民族歌剧
人物塑造
杜欢
《回家》
dramatic situation
national opera
characters
DuHuan
"Going Home"