哈默尔整体音乐中的后简约主义技法初探

The Post-Minimalism Technique in Peter Hamel's Integral Music

德国当代作曲家彼得·米歇尔·哈默尔开创了继齐默尔曼的多元主义、施尼特凯的复风格音乐后,更深层次即跨越并整合哲学、心理学、音乐等不同文化领域的整体音乐。因其作品曲式中尤为突出的重复结构,哈默尔常被西方音乐评论界定位成后简约主义作曲家。本文将阐述后简约主义技法尤其是重复结构这一创作技法,如何在哈默尔成熟且缜密的整体音乐作曲体系下,结构整体、细化主题并予以音响实践的一系列过程。

Due to the fact that the repeating structure is of major importance in his compositions, the German composer Peter Hamel is often viewed by the Western music critics as a postminimalism composer. This essay attempts to explore the compositional techniques of the post-minimalism and how they are incorporated by Hamel into his works.