摘要
宋代斗栱多表现为尺度缩小、体系复杂、细节精美、和谐淡雅的美学气质,这一气质的形成与理学中深厚美学思想之熏染不无关联。宋代斗栱在形式与功能的关系、结构与装饰的协调以及构件细节处理上,表现出经世致用、文道合一及刚柔相济的思想,进而体现为对"雅"的审美理想的艺术追求。
The aesthetic characteristics of diminishing scale, complex system, exquisite in detail and overall harmony of Dou-gong of Song Dynasty, are highly related to aesthetics of Neo-Confucianism. Dou-gong of Song Dynasty shows humanistic pragmatism in form and function, unity in decoration and structure, and coordination with contrast in details, therefore reflect artistic pursuit of elegance.
出处
《建筑与文化》
2017年第2期70-71,共2页
Architecture & Culture
基金
国家社会科学基金重大项目“中国古代环境美学史研究”(基金编号:13&ZD072)
关键词
宋代斗拱
理学
美学思想
Dou-gong of Song Dynasty
Nee-Confucianism
Aesthetics
