中国传统建筑与书法艺术的审美共通性初探

On the Aesthetic Generality Between Architecture and Calligraphy

中国传统建筑与书法艺术的审美共通性,是艺术审美共通性的重要表现,是建筑美学研究的重要内容之一。探究中国传统建筑与书法艺术的审美共通性可以从客体审美属性的共通性、主体审美心理的共通性和审美活动过程的共通性三个维度展开。从客体审美属性来考察,二者的审美共通性主要表现在空间秩序的共通性、结构形态的共通性、比例尺度的共通性和虚实疏密的共通性四个方面。

The aesthetic generality between traditional Chinese architecture and calligraphy is one of the essential presentations and one of the contents in the study of the architectural aesthetics. Exploration into the aesthetic generality of the Chinese traditional architecture and calligraphy can be developed from the three dimensions of generality of objective aesthetic property, subjective aesthetic psychology and aesthetic procedure. If they are observed from objective aesthetic property,the two aesthetic generalities mainly embody in the generality of spatial order,structural shape,proportional size and emptiness and solidness.