摘要
徽派玉雕是具备徽派雕刻技法与雕刻主题的玉雕风格总称。徽派玉雕艺术创作内容来源于玉雕艺人对徽州生活的理解,其精髓在玉雕艺人对美玉的琢磨和生生不息的再创造。在以大取小、以方取圆、以粗取平的造物思想下,徽派玉雕依循绘画和雕塑的创作法则,经历相玉、因材施艺、挖脏去绺、化瑕为瑜设计制作的过程,增加作品生动性。而徽派玉雕大师的合作精神,使中国当代玉雕作品中弥散着徽文化的意境情趣。
Hui - style jade carving is a generic term for Hui - style carving techniques and themes. Its source of creation stem from the artist9 s perception of life in Huizhou, its essence can be found in the polishing and end-less recreation made by the jade artist. Driven by the idea of leaving abundant leeway for creation, Hui - style jade carving adheres to the principles of painting and sculpture and undergoes processes like material selection, judging carving techniques in compliance with the raw material, removing defective parts, turning flawed jade into fine jade in order to enhance its vitality. Furthermore,the team spirit among jade carving masters in Huizhou fills the contemporary works of jade with the artistic conception of Huizhou culture.
出处
《攀枝花学院学报》
2017年第1期52-56,共5页
Journal of Panzhihua University
基金
2016年度安徽高校人文社会科学项目<徽雕故事在数字混媒语境下设计与应用研究>(SK2016A0112)中期成果
2015年安徽省哲学社会科学规划项目<社交语境下徽州区域文化意象的产品创新设计>(AHSKQ2015D91)中期成果
安徽工程大学优秀青年人才基"工"与"美"<点石斋画报>艺术特色研究(2013ZR017)研究成果
关键词
徽派
玉雕艺术
创作技巧
Hui - style
jade carving
jade carving
artistic technique