摘要
电影《百鸟朝凤》改编自肖江虹的同名中篇小说。它重塑了焦三爷的形象,强化了其顽强抗争的意志和行为,在原作的悲剧意识中注入悲剧精神,使其从悲情悲剧转变为崇高悲剧。这种变化体现了导演吴天明的电影美学观念和实践体验。
The film ‘Song of the Phoenix' is adapted from Xiao Jiang-hong's novel with same title. The film re-creates the image of Jiao-san by emphasizing his sheer tenacity and rebellious actions, and injects tragic spirit into the tragic consciousness in the book. As a result, a sad tragedy is transformed into a noble tragedy. The transformation represents Wu Tian-ming,the director'saesthetic concepts and practical experiences.
出处
《广东开放大学学报》
2017年第1期69-74,共6页
JOURNAL OF GUANGDONG OPEN UNIVERSITY
基金
广州市教育科学"十二五"面上重点项目"新课程视域中高师文学课程"(2013A002)成果
关键词
《百鸟朝凤》
小说
电影
悲剧精神
吴天明
‘Song of the Phoenix'
novel
film
tragic spirit
Wu Tian-ming