摘要
美学的超越与回归论者认为,当代美学要超越传统的艺术论美学,回归到包括日常生活在内的自然、社会及至杂美学中去。然而从认识论审美化、伦理/美学以及新感性等方面,对作为策略或旨趣的审美感知所做的多角度说明,显示出美学的超越与回归论乃是一种后现代美学。以美学的超越与回归论为代表的后现代主义美学事实上并不适合当下的中国现实语境。
The scholars they advocates the transcendence and return of aesthetics believe that contemporary aesthetics to go beyond the traditional view of "Aesthetics as Art theory", return to the daily life, including natural, social, and to mixed aesthetics. However, from the perspective of epistemologieal aesthetic, aesthet/hics and new sensibility, the multi-angle explanation of aesthetic perception as a strategy or purport shows that the theory of transcendence and return of aesthetics is a kind of post-modem aesthetics. The aesthetics of postmodernism, represented by the transcendence and return of aesthetics, is in fact not suitable for the present Chinese context.
出处
《安康学院学报》
2017年第1期27-31,52,共6页
Journal of Ankang University
基金
国家社会科学基金一般项目"别现代语境中的英雄空间解构与建构问题研究"(15BZW025)
关键词
超越美学
美学回归
审美认知
中国语境
Transcendence of aesthetics
return of aesthetics
aesthetic cognition
Chinese context