“观看”与“倾听”：西方风景画与中国山水画的一个比较视角

Viewing and Listening: A Comparative Perspective of the Western Landscape Painting and Chinese Mountains- and- Waters Painting

中国山水画是在士人精神寻求皈依的语境中出场的,欧洲风景画却是因欧洲人在对外各种活动频繁时出现的。风景画拒绝了传统绘画的深度之看,从叙事性的绘画凸显为视觉性的科学观察;中国山水画则一直以"淡"为宗旨致力于倾听的圆融感受,成为"眼中"可以"闻声"的绘画。在当今普遍的读图时代,倾听更具有启示意义。

Chinese mountains - and - waters painting emerged in the context of scholars＇ pursuit for spiritual converting while the European landscape painting emerged because of Europeans＇ frequent interaction with the outside world. The Landscape painting denies the deep viewing of the traditional painting; rather, it develops from a narrative painting to a visual scientific observation. The Chinese mountains - and - wasters painting always upholds ＂light＂ as its essence and tries to emphasize the integrated harmonious feelings of listening, thus the painting becomes a painting that can be listened in the eyes. In current picture viewing time, listening reveals more meanings.